Our Writing Life column archive, which features an array of guest contributors.
I’ve been involved in a love triangle for almost twenty years. My two loves have never met, but the time is coming. My first love is the man with whom I’ve shared my public and private life; the other is my writing, a more private love. One would think they would be easy to introduce, but I have not found it so.
Twitter is the consummate writer’s salon. Like the salons of old, it is a forum for the exchange of ideas. That alone is a boon to writers – the ebb and flow of “why” and “how.” Politics, philosophy, science, religion and gossip intersect in the slipstream, the crisscrossing currents. Between the spoken and implied, we discover characters to hatch, plots to ripen, settings to evolve. The daily unfolding of millions of lives is a trove awaiting plunder.
Someone once said that writers write the stories that they badly want to read. These stories that writers write in order to read the stories they badly want to read are the stories that writers remember. Sometimes the words are overwhelming, if only because they often live inside for so long. These words become memories of events that have or haven’t happened, depending on the writer’s genre: nonfiction or fiction. These memories – our memories – inform who we are and what we do.
In the story of my life, libraries have been the setting. The answers I sought have always been found there, whether I was delving into Yeats’ symbolism or a breastfeeding dilemma. However, it was the question, “What shall I do with my life?” that somehow eluded me for so long. The answer was of course, at the library. I didn’t just want to read the books there – I wanted to write one, to make my own contribution to the catalog.
I reject the phrase, “the writing life.” I am also a hypocrite because, on occasion, I use the phrase “the writing life” as a catch-all to describe my life as a writer. It’s a poor excuse for a catch-all, the phrase. It attempts to lump all writers into a monolithic construct–a box, I mean–as though all writers write the same words, or write with the same style, or perceive the world through the same eyes.
The hallway connecting the bedroom I shared with my brother to the bedroom my parents shared. I wrote on the walls in this hallway with crayon, then with pencil, and once with blank ink.
Lake Eola Park, in the center of Orlando – a world away from cartoon Disney – makes me wish that I could draw. Some places demand the bold strokes of acrylic, the definitives of ink, the texturized weight of Bristol paper. Nothing but a painter’s hand, a drafter’s arm will do. The precise skills I am lacking.
