November rain drummed the stained-glass panels of St. John’s southern exposure—not with the intruding rat-ta-tat-tat of a snare, but the low, rolling of a bass drum, more of a feeling than an actual sound—like the third cello in an orchestra, whose part is only appreciated in absentia. On any other day I might not have given such weather any consideration, but, on this day, I worried that the rain might somehow distract or detract from the service.
